GRATEFUL DEAD GRATEFUL DEAD FONT CODE

This is not a definitive sort, and some fonts might come back, some new fonts will be released, and some others might sunset one day too. And thus we decided to comb our catalogue through this criteria, with an obvious dose of subjectivity and bad faith on top, in order to decide which fonts we would keep or not. Listing these criteria helped us figuring that some of the fonts in our catalogue didn’t match much with what Velvetyne was today, all for different reasons. We want to be suprised, we don’t want homogeneity. The project and the font should be different enough from existing project and fonts in our catalogue.The projects and/or tools used to make the project can be opensource.The font or tools questions what an opensource/libre font is.The project is an invitation to collaboration and the font, if existing, is more a way of expressing the concept of the project than a final form.

GRATEFUL DEAD GRATEFUL DEAD FONT CODE

The members of the collective and the people submitting a project all agree to respect Velvetyne values and code of conduct and are aligned with it.So last summer, during a creative retreat in Lure, we established this list of criteria to release or keep a font in our catalogue: Which is all fine, but not very clear, for us or for others (you). And for a long time, it was a sum of a lot of unsaid things, a bit blurry, and not similar between every member of our team. Why did we retire these specific fonts? During the last years, we’ve been re-considering what the Velvetyne editorial line was. What does that mean? It means that our catalogue was growing too big for us to apprehend it, and we decided it was time to do some (very late) spring cleaning. As part of our latest website redesign and re-publication, we decided to retire 29 typefaces from our catalogue.

Grateful dead grateful dead FONT